Art by Mary Sipp Green
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Iris in Moonlightoil on linen, 18" x 24"Iris in Moonlight
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Early Evening in Stockbridge
oil on panel, 9" x 10.5"
Early Evening in Stockbridge -
Along the Farmington
oil on linen, 21" x 42"
Along the Farmington -
November Hillside
oil on linen, 27" x 36"
November Hillside -
Moonlit Meadow
oil on canvas, 36" x 48"
Moonlit Meadow -
Lingering Summer Twilightoil on canvas, 50" x 52"Lingering Summer Twilight
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Morning Light at Lucy Vincentoil on canvas, 50" x 52"Morning Light at Lucy Vincent
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Salt Pondsoil on canvas, 34" x 60"Salt Ponds
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Dusky Light of Summeroil on canvas, 50" x 52"Dusky Light of Summer
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Tow Lines #2oil on canvas, 50" x 52"Tow Lines #2
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Summer Sunsetoil on panel - 11" x 22"Summer Sunset
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Twilight in Tuscanyoil on panel, 8" x 10"Twilight in Tuscany
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Twilight Meadowoil on panel - 8.75" x 11"Twilight Meadow
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Sunset in Tuscanyoil on panel, 8.25" x 11.25"Sunset in Tuscany
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Springtime in Texasoil on panel, 7.25" x 19.5"Springtime in Texas
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Vineyard Light, Study
oil on panel. 13.75" x 14.25"
Vineyard Light, Study -
Salt Ponds, Study
oil on panel, 9.25" x 18.5"
Salt Ponds, Study -
Misty Meadowoil on linen, 30" x 44"Misty Meadow
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Divergent Pathoil on panel - 11.75" x 16"Divergent Path
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Twilight Falls, Giclee Print, Sold
giclee print, ed. 3/75, 28" x 38"
Twilight Falls, Giclee Print, Sold -
Berkshire Twilight, Geclee Print Sold
giclee print, ed. 29/75, 28" x 38"
Berkshire Twilight, Geclee Print Sold -
Rosy Twilight, Giclee Print, Sold
giclee print, ed. 19/75, 28" x 38"
Rosy Twilight, Giclee Print, Sold -
Twilight in Stockbridge, Giclee Print, Sold
giclee print with oil, ed. 1/1, 21" x 16.5"
Twilight in Stockbridge, Giclee Print, Sold -
Berkshire Sunset, Sold
oil on canvas, 40" x 54"
Berkshire Sunset, Sold -
Farm House in St. Remy, Sold
oil on panel - 9.75" x 12.75"
Farm House in St. Remy, Sold -
Autumn in the Berkshires, Sold
oil on panel, 8.5" x 11"
Autumn in the Berkshires, Sold -
Berkshire Barn, Sold
oil on panel, 19" x 19.5"
Berkshire Barn, Sold -
Dutcher Dock, Sold
oil on linen, 44" x 48"
Dutcher Dock, Sold -
Afterglow in October, Sold
oil on canvas, 38" x 54"
Afterglow in October, Sold -
Cherry Blossoms, Sold
oil on panel, 9.5" x 12.5"
Cherry Blossoms, Sold -
Morning, Sold
oil on panel, 17" x 11"
Morning, Sold -
An Early Sunset, Sold
oil on linen, 26" x 34"
An Early Sunset, Sold -
Iris Versicolor, Sold
oil on canvas, 41" x 50"
Iris Versicolor, Sold -
Morning in July, sold
oil on canvas - 11" x 23"
Morning in July, sold -
Farm House at Herring Creek, Sold
oil on panel - 11.75" x 24"
Farm House at Herring Creek, Sold -
Midsummer Twilight, Sold
oil on linen, 26" x 42"
Midsummer Twilight, Sold -
Crescent Moon, Sold
oil on canvas - 32" x 44"
Crescent Moon, Sold -
Summer Evening (on the Housatonic), Sold
oil on panel, 20" x 13.75"
Summer Evening (on the Housatonic), Sold -
Loosestrife in Moonlight, Sold
oil on linen, 20" x 24"
Loosestrife in Moonlight, Sold -
Moon in the River, Sold
oil on panel, 16.5" x 8.5"
Moon in the River, Sold -
Sunset in August, Sold
oil on linen, 16" x 20"
Sunset in August, Sold -
Lavender Fields in St. Remy Provence, Sold
oil on panel - 11.5" x 14.5"
Lavender Fields in St. Remy Provence, Sold
BIOGRAPHY
Mary Sipp Green received her training at the Fashion Institute of Technology in New York City. During her career, Mary has worked alongside many notable artists including Leo Garel. Her uniquely developed techniques and atmospheric style have afforded much accolade, earning the Adolf and Clara Obrig Award from the National Academy Museum as well as many publications. Recently, Mary’s work has been acknowledged with a major exhibition at the Springfield Museum of Art. Mary currently resides in Berkshire County, the landscape of which is the inspiration for many of her current works.
ARTIST STATEMENT
For the past twenty years, I have been working as a landscape painter in the Berkshire Hills of Massachusetts. While my preferred medium has always been oil on linen, my methods, techniques, and aesthetic aims have all undergone significant transformations since I first began.
As a young painter, I learned my craft in the studio, painting still-lifes and portraits, as well as landscapes drawn directly from nature. Over time, I became increasingly engaged with more abstract and spiritual aspects of the landscape form and I began to pursue a less representational, more expressive style. In order to move away from the constraints of figurative painting, I developed a more indirect process that still informs the way I conceptualize my work. When I first approach the canvas, I will usually have some sense of the color scheme and overall composition; an almost architectural strategy for how I will proceed to build the painting. Each painting begins with preliminary sketches and color notes recorded on site, but the work itself takes shape in my studio, after a meditative interval of temporal and spatial distance that allows memory and emotion to guide the work.