Tracy Baker-White
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Hopper, 1900oil on canvas, 30" x 60"Hopper, 1900
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Across the Hayfieldoil on panel, 30" x 40"Across the Hayfield
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Farm Roadoil on panel, 24" x 36"Farm Road
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Top of Blairoil on panel, 12" x 24"Top of Blair
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Road up to the Farmhouse, Cricket Creek Farmoil on panel, 12" x 18"Road up to the Farmhouse, Cricket Creek Farm
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Study for Hopper, 1900oil on panel, 12" x 24"Study for Hopper, 1900
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Late Summer Grassoil on canvas, 30" x 60"Late Summer Grass
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Into the Hopperoil on panel, 16" x 20"Into the Hopper
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Single Hay Bale, the Sprucesoil on panel, 12" x 16"Single Hay Bale, the Spruces
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Goldenrod Under Cloudy Skiesoil on canvas, 20" x 40"Goldenrod Under Cloudy Skies
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Study - Late Summer Grass, Sold
oil on panel, 12" x 16"
Study - Late Summer Grass, Sold -
Study for Cricket Creek, Sold
oil on panel, 16" x 12"
Study for Cricket Creek, Sold -
Sloan Road, Summer Evening, Sold
oil on canvas, 24" x 48"
Sloan Road, Summer Evening, Sold -
Mount Hope, Autumn Light, Sold
oil on panel, 18" x 36
Mount Hope, Autumn Light, Sold -
Vermont Farm Road, Sold
oil on panel, 8" x 10"
Vermont Farm Road, Sold
Biography
Tracy Baker-White earned a B.A. in Art at Williams College and an M.A. in International Studies at the University of Washington. She studied painting at the Lacoste School of Art in France during a junior year abroad, and has more recently participated in workshops with Randall Exon, Jeffrey Reed, Mitch Albala and Claudia Rilling.
After completing her M.A., Baker-White spent 25 years as a museum educator at the San Antonio Museum of Art, the Southwest School of Art and Craft and the Corcoran College of Art and Design. She considers these years of looking and talking about art with the public as an important part of her gestation as an artist. Since returning to the Berkshires Baker-White has exhibited works widely in New England and nationally.
Baker-White’s work is an exploration on the importance of landscape in defining identity. “My attraction to the landscape is rooted in a belief that we visually bond to our environment at a young age. I feel a sense of awe seeing the land and evidence of human hands that have shaped it over hundreds, and sometimes thousands of years.”